The GEMA, as well as every other collecting society, needs a competitor. A fair alternative that develops new concepts - without wearing ideological blinkers, using input and assistance from all sides.
Many things will not be able to be changed directly by the C3S, for example the GEMA tariffs for Christmas markets and other public events. But competition sets developments in motion.
For musicians, especially independent artists who work alone or in a small team, the acceptance of new licensing models will hopefully create new income opportunities.
Music, which until now can only be discovered in niches of the internet, can in the long term be played and billed as easily as every other kind of music – for the benefit of the musicians and the pleasure of the listeners.
Everyone who offers support in form of services as a part of this crowdfunding does it for free. All of them want to support C3S and they pass on any remuneration: Tim Renner, Luci van Org, Zoe Leela, Sascha Kösch, Marcus Scheltinga - any of them.
Our advice to GEMA members:
You are very welcome to join us – we are open to all.
Support us as sponsoring members and wait until the licensing procedure at German Patent and Trademark Office has been concluded. Then we are able to take care of your rights - and you may decide whether you want to leave GEMA or not.
But we need your support and your knowledge. And you will get acquainted with us and find out what you are getting involved with.
Then you can decide whether you will entrust us with the licensing management of individual, or all, usage types.
Comparison: Objectives of the C3S versus status of the GEMA.
C3S aims at giving musicians freedom on how to handle their works:
C3S: Full voting rights for all music creators.
<> GEMA: Full voting rights only for top earners.
C3S: The creator is supposed to be free to choose the songs to be administrated by C3S, as well as he should be free to choose the licence type.
<> GEMA: Every member has to administrate all of his music at GEMA, no exception allowed. All musical works of a member have to be licensed as all rights reserved.
C3S: C3S will cut deadlines allowing to quit as short possible, one year is supposed the maximum. Extracting single songs from C3S' administration should be possible without long deadlines as well - depending on technical and practical constraints.
<> GEMA: The deadline to quit GEMA is set at three years, except for online rights.
C3S aims at an improved livelihood of musicians and an extension of revenue models:
C3S: Distribution of 100% licensing revenue to low-income artists.
<> GEMA: It is not clearly evident how the distribution of the licensing revenue amongst the members is executed.
C3S: Integration of social media, micropayment and donations to artists.
<> GEMA: We do not know of any other collecting society that integrates income options via social media and micropayment or crowdfunding for its members.
C3S: Use of modern technological solutions, enabling a profit distribution that is exact to the greatest possible extent.
<> GEMA: Solutions that enable music recognition and exact accounting are not used. Most play lists of a large number of broadcasters are not counted out.
C3S aims at integrating with and talking to music lovers, fans and users:
C3S: Integration of users who create their own works on the basis of already existing songs (remixes, mashups).
<> GEMA: Users are subjected to written warnings: the concept and the tariffs of the GEMA do not acknowledge those who use already existing songs for the creation of new music as being participants in the cultural process. But only those who are creative themselves will be able to appreciate the value of music.
C3S: Communication and continuous exchange with users, fans and listeners, in order to maintain a “down-to-earth” attitude.
<> GEMA: Music users are not acknowledged as equal partners in the development of new ideas or tariffs.
C3S aims at simplying licensing for small businesses and the music industry:
C3S: Comprehensible tariffs and billing mechanisms.
<> GEMA: Tariffs are often unrealistic (DJ tariffs) and, due to their large number, can hardly be applied without special counseling.
C3S: Automated, accurate billing and comfortable processing for licensees.
<> GEMA: Use of paper lists or non-representative partial recordings for the calculation of the distribution to the artists. The evaluation of the recordings is done by GEMA employees.
These and other targets of C3S match the suggestions of EU:
http://www3.ebu.ch/cms/en/sites/ebu/contents/news/2013/07/european-parliament-seeks-improv.html
DRAFT REPORT on the proposal for a directive of the European Parliament and of the Council on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online uses in the internal market:
http://bit.ly/18bL1dc
C3S: A pan-European project as a long-term international alternative to already existing national collecting societies.
<> GEMA: Together with the collecting societies in other countries, music catalogs are managed with inefficient, repeated procedures – although the internet knows no borders. The European Union is seeking for European solutions, but the existing collecting societies try to prevent changes from happening.