We have made some wonderful recordings. They are already mixed and mastered. As well, the complete artwork is ready. Now they are lying around digitally and are crying. They have to be pressed into transparent purple vinyl. It is indispensable. Your help is our love!
We have made some wonderful recordings. They are already mixed and mastered. As well, the complete artwork is ready. Now they are lying around digitally and are crying. They have to be pressed into transparent purple vinyl. It is indispensable.
Your help is our love!
What is the project goal and who is the project for?
Music lovers love Das Behälter because our music contains aaaaallllll genres and it is not random. We stand for mindless fun with philosophical library in the back (that cascades on us!).
If you like to laugh, cry and dance (or shizophrenic herumaffen(aroundmonkeying)), than hear our sound and support the vinyl production.
Why would you support this project?
We are a group of poor and free craftsmen, which are scrounging around unrestrained, but that is not enough!!!
Please, we need your money. If you, for example, are in a board of directors, then clean your conscience with a generous amount of money. This can take all kinds of distress from you.
We love you so much that we light up when playing music.
How will we use the money if the project is successfully funded?
The money goes almost entirely to the vinyl pressing plant.
What is left is going on artwork and mastering, porto costs and petrol.
As a charitable partner supports us Denkodrom eV. The Denkodrom eV among others organizer of the "Denkodrom - Forum for avant-garde" (denkodrom.de) and sees our record for a significant contribution to the history of music and the best entertainment. The money raised goes directly into the project and get you the (donations) receipt.
And to the donations: donation receipts receives human only when you type in an amount in the donation box, not when selecting a thank you.
Who are the people behind the project?
Das Behälter is a band that has a cavity in its interior, in particular for the purpose of separating its contents from its environment. Containers are ubiquitous in everyday life, and the reliability of its function is essential. There are specialized Behälters for sonorous acoustic and electronic materials. These can according to manufacture material be distinguished, such as drums, saxophone, microphone, amplifiers, effects, etc.. They can as required used stationary, for example, as Karl Degenhardt (drums), Gabor Bodolay (bass) and Achim Zepezauer (electronics) or used mobile for example as Julius Gabriel (sax) or JX Ende (vocals). A special form is the live Behälter.
Review by Guido Schlösser: Joscha Hendricksen as Dadaist mixture of Klaus Kinski and Ian Curtis between four great instrumentalists who live out their virtuosity completely casual. Achim Kaemper provides a new definition of the sample electricians. Not only soundscapes and programmatic text or music recordings in the tradition of Pierre Schaeffer and Christian Marclay are his contribution. Kaemper coming from the drums is, with percussive samples fundamental part of the rhythm section as a percussionist, a jazz band. These samples come in part directly from his old record player he among other things, equipped with recording of an opera singer. Gabor Bodolay is a bass guitarist, that obviously love to the basics, it is a country & western alternating bass or a seventies disco groove. With its counterpart Karl-F. Degenhardt, the most cunning Drumset maintains the free jazz humor, Bodolay performs these grooves in the absurdity. Julius Gabriel can drive with his baritone saxophone grooves, repeat circular breathing infinity with the soprano saxophone boring eighties keyboard licks or do with the tenor saxophone exactly what you expect from a saxophonist. In short, He can do pretty much everything, so expect the family of saxophones. He can, however, something that few musicians can, and this applies to all band members: You can listen to each other and with their compositional skills Concerts spontaneously redesign. J X Ende endless flow of speech and gesture found in his stylistic versatility between expressionism, hip-hop and terrific belang Wi-being chatter no comparison. „Das „Behälter gives the improvisational use of text and music a new dimension.